Artgallery Boukreeva
Hermanus Koekkoek II Jr. 1836–1909 watercolor on paper, Overvoorde, Holland
Hermanus Koekkoek II Jr. 1836–1909 watercolor on paper, Overvoorde, Holland
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Hermanus Koekkoek II Jr. 1836–1909, "Overvoorde Holland", watercolor on paper, H 34 x W 52 cm, under glass, framed.
Signed lower left, pseudonym J. van Couver. Hermanus Koekkoek Jr. deliberately chose the pseudonym J. van Couver to avoid confusion with his father, also named Hermanus Koekkoek. Moreover, this choice gave him the freedom to develop his own artistic identity within the famous Koekkoek dynasty.
Hermanus Koekkoek II (1836–1909)
Master of the Romantic-Realistic Seascape Hermanus Koekkoek II, a descendant of the famous Koekkoek painting dynasty, was born in Amsterdam in 1836 and grew into one of the most refined maritime painters of the 19th century. He received his training from his father, Hermanus Koekkoek (1815–1881), thereby continuing the family tradition in which craftsmanship, atmosphere, and the experience of nature take center stage. From 1869, Koekkoek II worked for extended periods in London, where he opened an art dealership on Piccadilly. During this period, he often signed his work with the pseudonym “J. van Couver,” a name that has since become synonymous with quality within the international market for romantic seascapes. His oeuvre includes powerful depictions of ships maintaining their course on turbulent waves, serene river landscapes, and tranquil beach scenes. His style moves between Romanticism and Realism: dramatic skies, refined lighting, and an impeccable sense of composition characterize his work. In his later years, clear influences of the Hague School are visible, featuring a more subdued tonality and an atmospheric approach to the landscape. Koekkoek II regularly collaborated with contemporaries such as Lion Schulman (1851–1943) and remained active in the international art world until his death in London in 1909. Today, his paintings are appreciated for their technical perfection, historical value, and timeless appeal. A work by Hermanus Koekkoek II is not only an asset for the collector of 19th-century painting, but also a tangible piece of Dutch maritime history.
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